One of last year’s most surprising movies was The Beekeeper, which was a big hit with those who saw it. Otherwise, it didn’t get much (wait for it) buzz. Together, director David Ayer and star Jason Statham made a serviceable action flick in the John Wick mold, but with some political intrigue and in a sillier (yet somehow more grounded) universe.
I liked it.
Now they’ve got a new movie coming out, A Working Man, and there are many reasons beyond their involvement that have me very interested. First, it’s based on a novel by Chuck Dixon, who admittedly isn’t someone with whom I was familiar until now. Apparently Dixon is mostly known for his work in the comics industry, writing stories for Batman and The Punisher, and for being outspoken about his politics. Given the not-so-subtle allusions to Hunter Biden in The Beekeeper, he and Ayer seem to be a good match.
Better yet, the screenplay was adapted by none other than Sylvester Stallone.
Yes, that Sylvester Stallone.
Given his political leanings, I don’t expect A Working Man to offend to me with messaging. This isn’t the first time Stallone has written for Statham, as he also penned the screenplay for Homefront, which I have yet to see but will soon. What I appreciate about Stallone’s writing is that mythic elements are always in the back of his mind. He thinks in epic terms even when the stories are small.
Okay, but what about the story?
Yesterday I read the entire Chuck Dixon novel in about two hours. Levon’s Trade isn’t the most complex thriller out there, but a stripped down, fast-paced, tale of a violent man, Levon Cade, doing what he does best. When it opens Cade is working security at a construction site and establishes himself as someone you don’t mess with if you want to hold onto your teeth. The owner of the company’s daughter went missing after college finals, and since police and private investigators have failed, he turns to Cade for help.
Naturally, Cade refuses.
But he’s involved in a nasty custody battle over his little girl with the father of his late wife. Needing money to fight a battle that can’t be resolved with high powered weapons, he accepts. And once Cade takes on a task, he’s merciless in executing his mission. Turns out, the girl was taken by Ukrainian gangsters, who are just as merciless and even more cruel. Since the guy who took the girl is at the bottom, Cade starts at the top and begins dismantling the entire corrupt organization, digging his was down through the most violent means imaginable.
Maybe you don’t want to imagine, in which case this book isn’t for you.
By the last act it feels like Dixon is skimming over things, which isn’t to say he gets sloppy. Even the minor characters are given adequate backstories and key details are included to flesh out the world. It’s just that Cade is able to find his targets with a very convenient explanation that is left vague. This isn’t a complaint so much as an observation.
A Levon Cade novel is a Jack Reacher story with all the boring parts cut out.
As for the movie, I think Statham will make for a good Levon Cade, even though the Cade of the novels is American, born and bred. Cade is described as “rangy” with a fighter’s scars around his eyes, and his demeanor is perfect for Statham’s screen personality. I honestly can’t think of a better actor, accent not withstanding. The novel doesn’t wrap up with a Hollywood bow, so it’ll be interesting to see how Stallone decided to handle that.
Overall, I’m looking forward to the movie and will likely read more in this series.
I suspect that A Working Man will be the sleeper hit of the year.