I find it interesting that while A Christmas Story is often criticized for having no plot, National Lampoon’s Christmas Vacation is not. After watching both movies yesterday, I’m not sure how one could argue that one has more of a plot than the other. While I will resist arguing that one movie is superior, I have my preference, which will probably become apparent as we go.
Please don’t shoot my eye out.
A Christmas Story and Christmas Vacation were released just six years apart (1983 and 1986, respectively) yet because of the setting they feel as though they’re from totally different eras. The first is set in 1940, with its radio shows, Ovaltine, and coal furnaces. FDR was still president, and the memory of The Great Depression loomed large. Christmas Vacation, of course, takes place in its present day of the Reagan economic boom, with yuppies, CD players, overconsumption, and corporate culture.
“Whatever you got last year add… 20%”
While the theme of both films is the same, family dynamics at Christmastime, the protagonists are different. Ralphie is a kid, trying to navigate in an adult world so that he can get what he wants. He knows he can’t buy himself that Red Ryder BB gun, so he needs to persuade his parents, teacher, and Santa himself, to recognize the validity of his logical argument. But at every turn it’s thrown back in his face that he’s not yet ready for the world of grownups. He can’t even help his old man change a flat tire without messing up.
“Oh fuuuuudddgeee!”
Conversely, Clark Griswold is an adult who acts like a child, and wants to reexperience childlike holiday wonder. On an intellectual level, he knows the real spirit of Christmas is being with family. But he craves the perfect experience and believes that can be facilitated through a brightly lit house, the best Christmas tree, and the promise of a gift he can’t afford. For all his desire to slip back into childhood (and his natural childishness), he’s still an adult with money troubles and the expectation that the adults around him act like adults.
“Worse! How could things get any worse? Take a look around here, Ellen. We’re at the threshold of hell.”
We’ve all been in Ralphie’s boots. Maybe we still are. And to some degree, any adult can relate to Clark’s plight. That’s perhaps part of the reason why their stories have become annual favorites for many. Like most comedies, they’re a series of moments with just the faintest hint of a throughline that leads to a climax of catharsis. Christmas Vacation is more absurd, and that won’t be to everyone’s taste, but maybe it needs that for cross-generational appeal. Ultimately, Ralphie’s story is the more mature.
“Oh, life is like that. Sometimes, at the height of our revelries, when our joy is at is zenith, when all is most right with the world, the most unthinkable disasters descend upon us.”
When I first encountered A Christmas Story as a kid, I found it distasteful and it was a long time before I could bring myself to give it a second chance. Now I see it as wonderful means of recapturing the innocence of youth, balanced with the hard earned wisdom of life. There’s little wisdom to be gleaned from Christmas Vacation, and that’s fine. Sometimes you just want to see Chevy Chase smacked in the face and chuckle at some unfiltered profanity.
“You shouldn’t use that word.”