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Book Review - Tenure by Blaine Pardoe and Mike Baron
November 12, 2024
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Anymore, it’s rare for me to get so pulled into a book that I forget to check social media. Just watching a movie is enough of a struggle, so for me to sit and read for hours is downright remarkable. But recently I was privileged to get my hands on an advance reading copy of Tenure by Blaine Pardoe and Mike Baron, and it turned out to be one of those rare experiences.

“Gripping” is an overused word on cover blurbs. This time, it’s appropriate.

This isn’t a book for everyone, as will become clearly apparent. It’s the story of Braxton Knox, an average guy who could be your neighbor. After an unremarkable stint in the military, he started a small family and found work as a philosophy professor at a school in Portland. He has an idea for a novel that he’ll probably never start, but only because he’s busy enjoying his simple, quiet, academic life.

Until he uses the wrong pronoun in the classroom.

A they/them student objects to being called “miss” so strongly that she torpedoes Knox’s academic career. Of course, she feels justified, seeing as he’s part of the patriarchy. When Knox refuses to apologize the university moves to fire him and the local ANTIFA mob targets his family with devastating results. What’s a man to do when he has nothing left to lose? He can curl up and die. He can try to work within the corrupt justice system.

Or he can extract pure justice.

Being the bigger bad guy comes at a cost, and Tenure doesn’t shy away from that. Knox doesn’t want to become a ruthless vigilante. Just, you know, an ethical vigilante with a personal vendetta. Pardoe and Baron make sure that he never loses his humanity or becomes psychotic, even as they allow him to justify some truly cold-blooded killings. Not that we’re inclined to quibble, as his targets are so brainwashed in their evil ideology that they’re beyond redemption and will only continue ruining and taking lives.

And taking a life is something that should never be done lightly.

We love a good revenge story. From The Count of Monte Cristo, to The Terminal List, to John Wick, there’s something cathartic in watching the villains get their due. What sets Tenure apart is that it feels like something that could happen in our own backyards. I’ve heard this book pitched as The Punisher vs the Woke, but if anything it’s Death Wish in suburbs. I almost wish it was more like a comic book and not so grounded in uncomfortable reality.

Not that Tenure is perfectly plausible.

Should this continue as a series, I could see Pardoe and Baron leaning into the story’s pulp influences and going bigger. If you still haven’t read The Spider VS. The Empire State, I highly encourage you to do so. By modern standards it’s wildly implausible, building to an epic crescendo. But both novels feature heroes gathering allies to fight against the human embodiment of the threats of their day. Even if that means going around the law, or the law turning a blind eye to their activities. 

And the groundwork has been laid.

Without getting into major spoilers, by the end Knox has a major financial warchest and a mysterious benefactor. If they want to, the authors could slowly raise the stakes until, like The Spider, Knox is leading a major war on US soil. If not, should they hold closer to reality, that’s fine too. There’s enough variety in the action and themes in this story to prove that they have no shortage of ideas to explore with other victims of the woke mob in other cities. 

However…

Unlike Andrew Klavan’s A Woman Underground, which deals in similar themes but in a more literary manner, Tenure won’t be as timeless. Like The Spider, in a few years it will be a dated pulp adventure, though still wildly entertaining. It will never not be entertaining indulging in a revenge fantasy where the wronged man gets payback. So don’t hesitate to add this to your library. It’s something I’ll definitely want to read again. 

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Leo and Britt come face to face with a prehistoric god a new cult on Saturn. Can they save the children doomed to sacrifice and escape?

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Leo and Brittany have arrived on Saturn, but not in the way they'd hoped. Captured by a pagan cult, they don't have time to stop the unthinkable from happening. But they'll try anyway.

Content warning: language and sexual situations.

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Star Wars is dead and the more apathy you show the faster it will be allowed to rest in peace.

Instead of griping about what Disney has done, why don't you listen to my space adventure story? He Who Rides on the Clouds is supernatural noir that spans space and time. When children on Mars go missing, Alexis Leonard and his ex-wife Brittany go looking. Their search leads them to a pagan temple and an ancient religion.

If you'd like to buy the story and read ahead, it's available in the Fall 2020 issue of Cirsova, available here: https://amzn.to/3yRRywY

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Girl-Power Isn't the Problem: Stop Treating Movies Like TV Pilots

Last weekend I was able to sneak off the theater for a screening of From the World of John Wick: Ballerina. Did I feel silly, telling the high school girl at the ticket counter, “One for Ballerina, and a small drink”? Well, not in the moment. 

I probably drank a liter of cherry vanilla Coke Zero, and that didn’t feel so great.

Plenty of box office analysts and Hollywood types are wracking their brains, trying to figure out why movies like Furiosa and Ballerina aren’t drawing huge crowds. Mad Max and John Wick are popular franchises, but apparently telling the stories of the women in those worlds isn’t working. Even if the movies are pretty good.

I’ve seen both, and they’re pretty good.

Some are arguing that no one will go near a movie that looks like it’s feminist girl-bossing. Others counter that movies like Alien and Kill Bill are female-led action films that were successful. Now, I’m not going to say that Ballerina is on par with those modern day classics. But I will say that, as a man watching the movie, it didn’t offend me. The movie never challenged me to confront any internalized misogyny. The small girl doesn’t take down John Wick in hand-to-hand combat.

Honestly, if you like franchise, whether you’re male or female, you should watch Ballerina.

In short, from a purely cinematic experience perspective, neither Furiosa nor Ballerina would be any better or worse with a male lead. Maybe that’s a hot take. But that’s mine, for whatever it’s worth. Well, okay, I wouldn’t watch a movie called Ballerina if it stared a dude. Nevertheless, I think you get my point. Petite women warriors aside, the plots and action are exactly as expected.

So what’s the deal?

Well, what no one seems to have noticed is that Ripley and The Bride weren’t replacing anyone. As we were watching their movies for the first time, we weren’t thinking about other characters for whom we already had a preference. Movies are more like TV than TV right now, and replacement characters have always been a hard sell, regardless of gender. We all remember Sam and Diane. Who still talks about Sam and Rebecca (even though Kirstie Alley won an Emmy and a Golden Globe for the part)? I had to look up her name. 

No, they aren’t technically replacing them. It’s a spin-off, set in the same world.

Spin-offs tend to succeed when the characters are already well established (eg: Frasier). Furiosa and Ballerina are more like backdoor pilots, where new characters are dropped in for a single episode to sell us on the idea of a new show. This technique is very hit and miss on TV, and I can’t think of a single example of this working in a movie franchise. Film and television are very different mediums, and should be treated as such.

Still, if it doesn’t work on TV, it’s probably not gonna work at the movies. Not where new characters and spin-offs are concerned. 

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Going Back to 1995

Maybe I’m just getting old, but it doesn’t feel like we had the thriving and distinct pop culture of past generations. Has there been a look or stye, or feeling, that defines this moment? Everything seems to have stagnated for the last twenty years. And it’s not as if I don’t pay attention. 

It’s making me nostalgic. 

Consequently, for the rest of the year, I’m prioritizing movies from 1995, the year I was twelve. At that time, my family didn’t really go to the theater, and when we did rent VHS tapes, more often than it is was older Disney movies or entirely forgettable Christian titles. Now that I’ve grown tired of trying to keep up with new releases, not there’s much worth watching anyway, it feels like a good time to catch up on those 30 year old movies that have become ingrained in what’s left of our pop culture.

So over on Criticless, I made a list.

Some of these are movies I’ve seen before, but not in a long time. Others will be first time watches for me. There’s really no rhyme or reason to what I put on my list. It’s just movies that either interest me, or are currently in my collection, sadly unwatched. As things become available on streaming, I may add to the list. And if I don’t get to everything before the end of the year, no big deal.

Hopefully, they aren’t going anywhere. 

I’ll be posting some reviews and analysis as I go, so be sure to follow me here. 

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Ironheart and Superman: A Failure to Launch

Yesterday two trailers were released for upcoming superhero projects. First, we had Marvel's Ironheart, which Disney has been sitting on for years at this point. Apparently it follows Riri Williams (Dominique Thorne), a young black woman at MIT who is (was?) intended to take over for Tony Stark as Ironwhathaveyou. If you haven't seen the trailer yet, take a look.

I stopped paying too much attention to the MCU a long time ago, but apparently Riri was introduced in Wakanda Forever, and her fans have been clamoring for a standalone show ever since (/sarcasm). Watching the trailer, I can't help but notice how many times we're told she's smart and capable. Any suggestion that she can't do something is shot down immediately. We're supposed to believe that The System is against is her because she's poor, I guess, and doesn't have Tony Stark's advantages.

Remember Tony Stark? Sure, he was rich. But he was also a self-absorbed man-child who found himself in a cave in Afghanistan who had to engineer his own escape with scrap parts. Tony Stark, who had to learn about self-sacrifice and the consequences of his actions. Robert Downey Jr. make us like the guy, with his easy charm, even though we wanted to see him grow up. There was room for a character arc. No offence to Dominique, but she doesn't have the charm, and her character clearly has nowhere to go.

A few hours later, Warner Bros./DC released the trailer for James Gunn's Superman, the latest reboot of the iconic superhero. We've been waiting for a good Superman for a long time. Something to reunite the fans, the casually interested, and possibly the entire country. And to be honest, I don't think this is gonna do it. Take a look.

Before I go any further, I want to spin my theory on the interview scene, which is a little different from what I'm hearing from most anyone else. Notice how David Corenswet pitches his voice really high when he says, "Sure!" At this point in the movie, I don't think Lois (Rachel Brasnahan) knows that Clark is Superman, and thinks he's just playacting. But when Clark drops his voice, he's showing his cards a little bit. Then, when he completely loses his cool, he's just acting how Lois thinks Superman would respond. In context (the scene is reportedly ten minutes long!), it might be interesting. Out of context, in a trailer, it's a stupid decision.

Throughout the entire trailer we see Superman smacked around, knocked out, screaming out in self-defense, and made fun of for having a dog. There are some super-heroics, to be sure, but they're mitigated by the overwhelming amount of thrashing he takes. Unlike Riri, I guess he's got some room for growth. But it doesn't inspire me to see the movie. Some are defending this approach, suggesting that someone with such a clear cut understanding of right and wrong would be frustrated and confused by our complex, political climate. And I agree. But his moral compass and grace towards an unfair world should have been set before leaving Smallville and going out into the world.

So on the one hand, we've got a flawless female character. And on the other, we've got an immature Superman. Neither character is attractive, warts and all. Neither character is relatable or inspiring in the ways the filmmakers intended, as presented. Maybe the show and movie will be good. But someone else will have to let me know. Because right now, I'm not inspired to see either one.

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