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My Writing Routine (Or Lack Thereof)
January 24, 2023

Many times I’ll listen to a podcast and get a review out of it. Once it’s been submitted and I’ve gotten my paycheck, sometimes my interest in wanes. Not so with Dedicated with Doug Brunt, where New York Times bestselling author Brunt interviews other bestselling authors. While I don’t listen as soon as a new episode drops, I always find myself catching up later.

It’s inspiring.

My favorite part of every episode is when Brunt asks his guests about their writing process. Everyone approaches their craft so differently, it’s a good reminder that there’s no right way to write. Some outline. Some don’t. One author can write anywhere, another needs to be on the back porch. Every author depends heavily on caffeine, whether that be coffee or energy drinks. Lee Child writes on an empty stomach until the coffee and cigarettes start making him jittery. 

Maybe they’re all a little self-destructive.

While I’m not in the league of Brunt’s guests and unlikely to get a spot on his show, I’m more than willing to share my process. Obviously, I’m a young writer and am still refining. If I had it down, I’d be much more prolific. In my defense, my days are unpredictable. I try to go to bed at the same time every night, but I don’t always sleep well and wake up at a different time. My mother, with whom I share this house, is the same. I like to do my workouts fasted and first thing in the morning, so most days I don’t start writing until afternoon.

How long after noon? Who knows!

Some days I need to write reviews, because that’s my only source of income. And if I’m going to have anything to review, I have to dedicate time to reading or watching those things, which I generally do during the day. I’m trying to find a routine, where Mondays I edit, Tuesdays I write, Wednesdays I read, or something like that. But I’m not there yet. 

Frankly, I’m floundering. Still have my head above water, though it’s not graceful.

One thing I have in my favor is that I can write anywhere and switch my brain into writing mode at almost any time. I could set up and write in a McDonald’s dining room and do just as well as if I was out in my backyard office. Maybe it’s because I was homeschooled, but I think I do my best work in dining rooms. Morning, afternoon, or night doesn’t matter. However, I have recently noticed that just as I used to pack up my schoolwork for the day around 3:30pm I prefer to do the same now.

Old habits never die. They just rest until least expected.

My ideal writing routine would be that magical ideal, out in my office every day at the same time, cup of coffee in hand. Maybe I’d light a candle. Someday I’d like to put a wood burning stove out there so it’s warm and I can begin my day by stoking a fire. Would it help? I don’t know. Ritual is good. I do know that.

I don’t outline.

When I was in film school we weren’t allowed to start until we’d gone through a strict outlining process. So I know from experience that having an outline really helps speed things along. Part of me feels like I should outline for the sake of efficiency. I personally don’t think that it inhibits the creative process, though most of Brunt’s guests would disagree. However, because of all the outlining I did in college, and study I’ve done since, story structure is baked into my soul. I may not know specifically where I’m going, but I can go with the flow of Story pretty intuitively.

Every day is different, but I don’t despair.

In the past I might have given up. It’s easier to sink than swim, and it’s in the moments of floundering like I am that a choice has to be made. If I keep going, maybe someday I’ll be an overnight success. 

 

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Leo and Britt come face to face with a prehistoric god a new cult on Saturn. Can they save the children doomed to sacrifice and escape?

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If you'd like to buy the story and read ahead, it's available in the Fall 2020 issue of Cirsova, available here: https://amzn.to/3yRRywY

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Girl-Power Isn't the Problem: Stop Treating Movies Like TV Pilots

Last weekend I was able to sneak off the theater for a screening of From the World of John Wick: Ballerina. Did I feel silly, telling the high school girl at the ticket counter, “One for Ballerina, and a small drink”? Well, not in the moment. 

I probably drank a liter of cherry vanilla Coke Zero, and that didn’t feel so great.

Plenty of box office analysts and Hollywood types are wracking their brains, trying to figure out why movies like Furiosa and Ballerina aren’t drawing huge crowds. Mad Max and John Wick are popular franchises, but apparently telling the stories of the women in those worlds isn’t working. Even if the movies are pretty good.

I’ve seen both, and they’re pretty good.

Some are arguing that no one will go near a movie that looks like it’s feminist girl-bossing. Others counter that movies like Alien and Kill Bill are female-led action films that were successful. Now, I’m not going to say that Ballerina is on par with those modern day classics. But I will say that, as a man watching the movie, it didn’t offend me. The movie never challenged me to confront any internalized misogyny. The small girl doesn’t take down John Wick in hand-to-hand combat.

Honestly, if you like franchise, whether you’re male or female, you should watch Ballerina.

In short, from a purely cinematic experience perspective, neither Furiosa nor Ballerina would be any better or worse with a male lead. Maybe that’s a hot take. But that’s mine, for whatever it’s worth. Well, okay, I wouldn’t watch a movie called Ballerina if it stared a dude. Nevertheless, I think you get my point. Petite women warriors aside, the plots and action are exactly as expected.

So what’s the deal?

Well, what no one seems to have noticed is that Ripley and The Bride weren’t replacing anyone. As we were watching their movies for the first time, we weren’t thinking about other characters for whom we already had a preference. Movies are more like TV than TV right now, and replacement characters have always been a hard sell, regardless of gender. We all remember Sam and Diane. Who still talks about Sam and Rebecca (even though Kirstie Alley won an Emmy and a Golden Globe for the part)? I had to look up her name. 

No, they aren’t technically replacing them. It’s a spin-off, set in the same world.

Spin-offs tend to succeed when the characters are already well established (eg: Frasier). Furiosa and Ballerina are more like backdoor pilots, where new characters are dropped in for a single episode to sell us on the idea of a new show. This technique is very hit and miss on TV, and I can’t think of a single example of this working in a movie franchise. Film and television are very different mediums, and should be treated as such.

Still, if it doesn’t work on TV, it’s probably not gonna work at the movies. Not where new characters and spin-offs are concerned. 

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Going Back to 1995

Maybe I’m just getting old, but it doesn’t feel like we had the thriving and distinct pop culture of past generations. Has there been a look or stye, or feeling, that defines this moment? Everything seems to have stagnated for the last twenty years. And it’s not as if I don’t pay attention. 

It’s making me nostalgic. 

Consequently, for the rest of the year, I’m prioritizing movies from 1995, the year I was twelve. At that time, my family didn’t really go to the theater, and when we did rent VHS tapes, more often than it is was older Disney movies or entirely forgettable Christian titles. Now that I’ve grown tired of trying to keep up with new releases, not there’s much worth watching anyway, it feels like a good time to catch up on those 30 year old movies that have become ingrained in what’s left of our pop culture.

So over on Criticless, I made a list.

Some of these are movies I’ve seen before, but not in a long time. Others will be first time watches for me. There’s really no rhyme or reason to what I put on my list. It’s just movies that either interest me, or are currently in my collection, sadly unwatched. As things become available on streaming, I may add to the list. And if I don’t get to everything before the end of the year, no big deal.

Hopefully, they aren’t going anywhere. 

I’ll be posting some reviews and analysis as I go, so be sure to follow me here. 

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Ironheart and Superman: A Failure to Launch

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I stopped paying too much attention to the MCU a long time ago, but apparently Riri was introduced in Wakanda Forever, and her fans have been clamoring for a standalone show ever since (/sarcasm). Watching the trailer, I can't help but notice how many times we're told she's smart and capable. Any suggestion that she can't do something is shot down immediately. We're supposed to believe that The System is against is her because she's poor, I guess, and doesn't have Tony Stark's advantages.

Remember Tony Stark? Sure, he was rich. But he was also a self-absorbed man-child who found himself in a cave in Afghanistan who had to engineer his own escape with scrap parts. Tony Stark, who had to learn about self-sacrifice and the consequences of his actions. Robert Downey Jr. make us like the guy, with his easy charm, even though we wanted to see him grow up. There was room for a character arc. No offence to Dominique, but she doesn't have the charm, and her character clearly has nowhere to go.

A few hours later, Warner Bros./DC released the trailer for James Gunn's Superman, the latest reboot of the iconic superhero. We've been waiting for a good Superman for a long time. Something to reunite the fans, the casually interested, and possibly the entire country. And to be honest, I don't think this is gonna do it. Take a look.

Before I go any further, I want to spin my theory on the interview scene, which is a little different from what I'm hearing from most anyone else. Notice how David Corenswet pitches his voice really high when he says, "Sure!" At this point in the movie, I don't think Lois (Rachel Brasnahan) knows that Clark is Superman, and thinks he's just playacting. But when Clark drops his voice, he's showing his cards a little bit. Then, when he completely loses his cool, he's just acting how Lois thinks Superman would respond. In context (the scene is reportedly ten minutes long!), it might be interesting. Out of context, in a trailer, it's a stupid decision.

Throughout the entire trailer we see Superman smacked around, knocked out, screaming out in self-defense, and made fun of for having a dog. There are some super-heroics, to be sure, but they're mitigated by the overwhelming amount of thrashing he takes. Unlike Riri, I guess he's got some room for growth. But it doesn't inspire me to see the movie. Some are defending this approach, suggesting that someone with such a clear cut understanding of right and wrong would be frustrated and confused by our complex, political climate. And I agree. But his moral compass and grace towards an unfair world should have been set before leaving Smallville and going out into the world.

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