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TV Review - The "Most Dangerous Show on Netflix" (Or So They Say)
November 29, 2022
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Netflix is courting controversy again, except this time it has nothing to do with a comedy special or exploiting children. I know many people have ditched the streamer for those reasons, not that I blame them, but Netflix remains a powerful cultural force that can’t do anything without getting some sort of reaction. So in case you missed it, what have they done now? And why does it matter?

Two words: Ancient Apocalypse.

The Guardian calls it “the most dangerous show on Netflix.” Excuse me if I can’t just take that at face value, given what I know about all the other content on the platform. A few weeks before Ancient Apocalypse landed everyone was going crazy over the Dahmer miniseries, which to be fair, the same reviewer at The Guardian also hated. But even after noting that “Dahmer is undoubtedly fetishised here,” a history mystery show is somehow more dangerous?

I’ve seen Ancient Apocalypse and it may vey well be dangerous. To whom and what is the issue.

The eight part series is hosted by Graham Hancock, who introduces himself not as an archeologist or geologist, but as a journalist. As an outsider. He questions the established narrative and offers alternative theories about earth’s history and human development. Basically, Hancock takes two positions. First, he suggests that the Younger Dryas was caused by a cataclysmic event, like a comet that broke up in earth’s atmosphere and peppered the planet, hurling us into an ice age. Second, he believes that there was a civilization more advanced than the rest of humanity before and after that event, which is the reason for the similarities in things like pyramids and folklore.

For these positions Hancock is called a racist who consorts with other racists, and (worst of all) compared to Donald Trump.

Apparently in one of his early books Hancock said that the advanced civilization was probably white people. I haven’t read it, so I don’t know why he thought that was relevant or a good thing to say at the time. But I think it’s obvious why he’s not saying it now. Maybe he has some issues, but I doubt it. However, the attacks against him look very familiar to anyone who knows the patterns of online arguments, which always run thus: 1) He has no degree, so he’s not credible. 2) He’s racist. 3) He’s literally Hitler and/or Trump. 

Don’t engage in the argument and thereby give it credibility. Just smear the character of the person making it. Distract, distract, distract.

Why do they hate Hancock’s theories so much? Because of where they lead. On a recent episode of the Blurry Creatures podcast Timothy Alberino notes that mainstream scientists hate the idea of global cataclysms. I suspect that if we start accepting that idea, we might start believing in Noah’s flood, and we wouldn’t want that. It would throw off the entire theory of evolution, or even add credibility to the Old Testament. If there was major climate change before the Industrial Revolution, we might doubt humanity’s role in it. And we certainly wouldn’t want that. 

There’s too much money to be made.

Advanced civilizations in antiquity also upsets evolution. Sure, a show like Ancient Aliens can say crazy (and arguably far more racist - those primitive brown people couldn’t have done anything without outside help, obviously) stuff without coming under attack, because, well, it’s crazy. We aren’t supposed to believe it. But Hancock, right or wrong, is sincere. And that’s a problem.

Alberino continues with the next logical step.

While not suggesting visitors from other planets were involved, he believes that extraterrestrials, that is, the Nephilim or their descendants, were Hancock’s advanced civilization. Anyone who believes the Bible shouldn’t have any problems with cataclysm or Nephilim, and as Derek Olson says on today’s episode of The Confessionals, more people are longing for truth and belief in the supernatural than they have in a long time. "The Science" is up for debate.

Don’t challenge the narrative!

Is Ancient Apocalypse the most dangerous show on Netflix? Perhaps. But not because it feeds the conspiracy theorists or any of the other reasons the critics suggest. It doesn’t have me questioning the last election any more than I did, or thinking 9/11 was an inside job, or inspiring me to storm the Capitol or become a racist. I doubt it will do that to a sane person, any more than a sane person will watch Dahmer and start eating people. 

Emphasis on “sane.”

No, Ancient Apocalypse is dangerous because it dares to ask questions and offer different ideas. The Guardian wants to protect what best serves their interests. Heaven forbid will start thinking for ourselves. Hancock might be a kook for all I know. But perhaps the most dangerous question of all is, why should I trust the mainstream any more than him? 

Trust is eroding.

All that aside, the show is very well produced. The cinematography is stunning, and the animated depictions of ancient myths are entertaining. Hancock is an engaging storyteller, weaving history, science, and legend into an engaging package. I’ve watched some of the episodes more than once (which I never do) and will likely watch the series again. Hopefully Netflix brings it back for another season, because as entertaining as it is, I like watching the mainstream squirm even more.

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Girl-Power Isn't the Problem: Stop Treating Movies Like TV Pilots

Last weekend I was able to sneak off the theater for a screening of From the World of John Wick: Ballerina. Did I feel silly, telling the high school girl at the ticket counter, “One for Ballerina, and a small drink”? Well, not in the moment. 

I probably drank a liter of cherry vanilla Coke Zero, and that didn’t feel so great.

Plenty of box office analysts and Hollywood types are wracking their brains, trying to figure out why movies like Furiosa and Ballerina aren’t drawing huge crowds. Mad Max and John Wick are popular franchises, but apparently telling the stories of the women in those worlds isn’t working. Even if the movies are pretty good.

I’ve seen both, and they’re pretty good.

Some are arguing that no one will go near a movie that looks like it’s feminist girl-bossing. Others counter that movies like Alien and Kill Bill are female-led action films that were successful. Now, I’m not going to say that Ballerina is on par with those modern day classics. But I will say that, as a man watching the movie, it didn’t offend me. The movie never challenged me to confront any internalized misogyny. The small girl doesn’t take down John Wick in hand-to-hand combat.

Honestly, if you like franchise, whether you’re male or female, you should watch Ballerina.

In short, from a purely cinematic experience perspective, neither Furiosa nor Ballerina would be any better or worse with a male lead. Maybe that’s a hot take. But that’s mine, for whatever it’s worth. Well, okay, I wouldn’t watch a movie called Ballerina if it stared a dude. Nevertheless, I think you get my point. Petite women warriors aside, the plots and action are exactly as expected.

So what’s the deal?

Well, what no one seems to have noticed is that Ripley and The Bride weren’t replacing anyone. As we were watching their movies for the first time, we weren’t thinking about other characters for whom we already had a preference. Movies are more like TV than TV right now, and replacement characters have always been a hard sell, regardless of gender. We all remember Sam and Diane. Who still talks about Sam and Rebecca (even though Kirstie Alley won an Emmy and a Golden Globe for the part)? I had to look up her name. 

No, they aren’t technically replacing them. It’s a spin-off, set in the same world.

Spin-offs tend to succeed when the characters are already well established (eg: Frasier). Furiosa and Ballerina are more like backdoor pilots, where new characters are dropped in for a single episode to sell us on the idea of a new show. This technique is very hit and miss on TV, and I can’t think of a single example of this working in a movie franchise. Film and television are very different mediums, and should be treated as such.

Still, if it doesn’t work on TV, it’s probably not gonna work at the movies. Not where new characters and spin-offs are concerned. 

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Going Back to 1995

Maybe I’m just getting old, but it doesn’t feel like we had the thriving and distinct pop culture of past generations. Has there been a look or stye, or feeling, that defines this moment? Everything seems to have stagnated for the last twenty years. And it’s not as if I don’t pay attention. 

It’s making me nostalgic. 

Consequently, for the rest of the year, I’m prioritizing movies from 1995, the year I was twelve. At that time, my family didn’t really go to the theater, and when we did rent VHS tapes, more often than it is was older Disney movies or entirely forgettable Christian titles. Now that I’ve grown tired of trying to keep up with new releases, not there’s much worth watching anyway, it feels like a good time to catch up on those 30 year old movies that have become ingrained in what’s left of our pop culture.

So over on Criticless, I made a list.

Some of these are movies I’ve seen before, but not in a long time. Others will be first time watches for me. There’s really no rhyme or reason to what I put on my list. It’s just movies that either interest me, or are currently in my collection, sadly unwatched. As things become available on streaming, I may add to the list. And if I don’t get to everything before the end of the year, no big deal.

Hopefully, they aren’t going anywhere. 

I’ll be posting some reviews and analysis as I go, so be sure to follow me here. 

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Ironheart and Superman: A Failure to Launch

Yesterday two trailers were released for upcoming superhero projects. First, we had Marvel's Ironheart, which Disney has been sitting on for years at this point. Apparently it follows Riri Williams (Dominique Thorne), a young black woman at MIT who is (was?) intended to take over for Tony Stark as Ironwhathaveyou. If you haven't seen the trailer yet, take a look.

I stopped paying too much attention to the MCU a long time ago, but apparently Riri was introduced in Wakanda Forever, and her fans have been clamoring for a standalone show ever since (/sarcasm). Watching the trailer, I can't help but notice how many times we're told she's smart and capable. Any suggestion that she can't do something is shot down immediately. We're supposed to believe that The System is against is her because she's poor, I guess, and doesn't have Tony Stark's advantages.

Remember Tony Stark? Sure, he was rich. But he was also a self-absorbed man-child who found himself in a cave in Afghanistan who had to engineer his own escape with scrap parts. Tony Stark, who had to learn about self-sacrifice and the consequences of his actions. Robert Downey Jr. make us like the guy, with his easy charm, even though we wanted to see him grow up. There was room for a character arc. No offence to Dominique, but she doesn't have the charm, and her character clearly has nowhere to go.

A few hours later, Warner Bros./DC released the trailer for James Gunn's Superman, the latest reboot of the iconic superhero. We've been waiting for a good Superman for a long time. Something to reunite the fans, the casually interested, and possibly the entire country. And to be honest, I don't think this is gonna do it. Take a look.

Before I go any further, I want to spin my theory on the interview scene, which is a little different from what I'm hearing from most anyone else. Notice how David Corenswet pitches his voice really high when he says, "Sure!" At this point in the movie, I don't think Lois (Rachel Brasnahan) knows that Clark is Superman, and thinks he's just playacting. But when Clark drops his voice, he's showing his cards a little bit. Then, when he completely loses his cool, he's just acting how Lois thinks Superman would respond. In context (the scene is reportedly ten minutes long!), it might be interesting. Out of context, in a trailer, it's a stupid decision.

Throughout the entire trailer we see Superman smacked around, knocked out, screaming out in self-defense, and made fun of for having a dog. There are some super-heroics, to be sure, but they're mitigated by the overwhelming amount of thrashing he takes. Unlike Riri, I guess he's got some room for growth. But it doesn't inspire me to see the movie. Some are defending this approach, suggesting that someone with such a clear cut understanding of right and wrong would be frustrated and confused by our complex, political climate. And I agree. But his moral compass and grace towards an unfair world should have been set before leaving Smallville and going out into the world.

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